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Sugarman
Too Hot
Joined: 10 Dec 2008
Posts: 6062
Location: Sun Valley
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| marigold wrote: |
I think I just went cross eyed Sugarman - keep that in a plain brown wrapper please  |
I bought the magazine at the weekend can't wait to read the interview later , I couldn't get hold of a brown paper bag Mary but the tower records bag did the trick
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I'm having bags of fun |
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 Posted:
Sun Dec 04, 2011 10:38 pm |
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Shan
Site Admin
Joined: 13 Mar 2003
Posts: 10804
Location: UK
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I actually found a copy on Sunday!!  Haven't read it yet as Mr Shan nicked it off me yesterday, lol!
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"The state of your life is nothing more than a reflection of your state of mind." |
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Posted:
Mon Dec 05, 2011 9:55 pm |
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marigold
Too Hot
Joined: 16 May 2010
Posts: 3300
Location: washington. d. c.
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http://www.musicradar.com/news/guitars/a-z-of-ska-243089/18#!18
Quote:
"Yeah, sounds a bit naughty but a rimshot, in drumming terms at least, is a very important technique in ska and reggae music.
The sound is achieved by hitting the rim of the drum and the skin at the same time… with the same stick, natch.
John Bradbury of The Specials is a particularly fine practioner of the rimshot. The technique is all over Doesn’t Make It Alright from The Specials' debut album Specials (1979). Great guitar solo on there too by the way.
R is also for… Reggae: Although we’ve been talking about ska, later '60s sounds are defined as early reggae, skinhead reggae or just plain reggae. When ska artists slowed the tempo of ska they called the ‘new’ style rocksteady. Reggae is generally faster than rocksteady but slower than ska. Right, that’s sorted that one out"
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marigold |
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Posted:
Tue Jul 03, 2012 10:38 pm |
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